TEXTS

  • Check out the blog No tocar, por favor. An online archive about how museums discipline citizens when consuming or perceiving artistic images.
  • Seven artists for reflection
    An article by Ingrid Guardiola about how conceptual practices come up with some of the most critical and insightful reflections about the cultural context. An approximation to the work by Mar Arza, Mireia c. Saladrigues, Lúa Coderch, Núria Güell, Alicia Kopf, Lola Lasurt and Mireia Sallarès.
    February 2014. PDF. Spanish
  • MIREIA C. SALADRIGUES. àngels barcelona
    Review of Rotations exhibitions by Rebecca Close. Frieze Magazine, 157. September 2013. PDF. English.
  • Participación inevitable
    Review of Rotations exhibitions by Noèlia Hernández. La Vanguardia. Cultura|s 585. 04.09.2013. In Spanish
  • Shifts.
    Gallery text of a solo exhibition in àngels barcelona gallery. By Mireia c. Saladrigues. 03.07.2013. PDF. English. Spanish. Catalan
  • Welcome. We’re on the same time.
    Gallery text of a solo exhibition in àngels barcelona gallery. By Cristina Garrido. 10.09.2012. PDF. English. Spanish. Catalan
  • Yo sólo he robado por amor.
    A text about dialogues, relations and other passions -some of them even dangerous- with works of arts and their discourses. For the catalogue No tocar, por favor.
    By Mireia c. Saladrigues. 11.04.13. PDF. Spanish. Euskera
  • Read the text: the conversation is not given. An article in Esnorquel by Sonia Fernández Pan about a meeting with Petra Bauer, a Swedish artist programmed by Martí Manen within the exhibition Sindrome. A very nice text about the dialogue as another context for art to happen. 15.05.13. Online. Spanish
  • Study Case: Mireia c. Saladrigues_The Formation of a Museum (2012).
    An interview by Lealand Palmer collective about censorship in Art. 17.06.2013. Online. Spanish


  • My book. The ‘My Museum’ one
    Edited conversation by Oriol Fontdevila. Published in The End Is Where We Start From catalogue. A fragment of a conversation that is now being edited as an upcoming poster to be added to Mi Museo – My Museum book. 02.05.2012. PDF. In Catalan. In Spanish. In English
  • Y lo imposible se hizo posible: Akron de Mireia c. Saladrigues
    Clousure exhibtion review by Camila y el Arte blog. 11.04.12. Online. Spanish
  • Se suplica quitarse el sombrero
    Blog review by journalist Elena Vozmediano. In Y tú que lo veas, El Cultural newspaper. 23.02.2012. Online. Spanish
  • Akron, de Mireia c. Saladrigues
    Exhibtion review by Camila y el Arte blog. 22.12.2011. Online. Spanish

 

  • There ought to be more room for dialogue and interaction with the public
    Interview by independent curator Oriol Fontdevila regarding El seu museu – Her Museum project. In A*Magazine n. 89, 28.11.11. A*Magazine is A*DESK.’s fortnightly magazine, dedicated to the critique of and reflection on contemporary art. Online. English. Spanish. Catalan
  • Her Museum
    Gallery text of the exhibition in Espai 13 within the program The End Is Where We Start From. By independent curator Karin Campbell. 28.09.2011. PDF. English. Spanish. Catalan
  • Notes on Theft as a form of Dialogue with the Work of Art
    For Radicalment emancipat(s) catalogue. By curator and audiovisual creatorAndrés Hispano and audiovisual creator Félix Pérez-Hita. 2011. PDF. English. Spanish. Catalan
  • Magnitude. The art of orbiting the public
    For Radicalment emancipat(s) catalogue. By independent curator Àlex Brahim. 2011. PDF. English. Spanish. Catalan
  • Radicalmente emancipado(s) de Mireia c. Saladrigues
    Exhibition critique. By independent art critic Sonia Fernández Pan. In Esnorquel, an individual, parcial and experimental exercise of critique about emerging art.01.09. 2011. Online. Spanish


  • En busca del espectador emancipado. Jacques Rancière
    Book Review. In relation with Radicalment emancipat(s) exhibition. By independent art critic Sonia Fernández Pan. In Esnorquel, an individual, parcial and experimental exercise of critique about emerging art. 01.09.2011. Online. Spanish
  • #01 Mireia c. Saladrigues
    Podcast. In relation with Radicalment emancipat(s) exhibition. By independent art critic Sonia Fernández Pan. In Esnorquel, an individual, parcial and experimental exercise of critique about emerging art. 10.11.2011. Online. Spanish